The photograph of a wolf peering from behind a pine hung in my grandparents’ home. Beneath it, in bold letters, was our last name. It was captured by Nat Geo photographer Jim Brandenburg, a distant relative. That image, and those early steps down the hallway, sparked something.
The photograph of a wolf peering from behind a pine hung in my grandparents’ home. Beneath it, in bold letters, was our last name. It was captured by Nat Geo photographer Jim Brandenburg, a distant relative. That image, and those early steps down the hallway, sparked something.
I enrolled in the first photography class I could, an excellent course at Mead High School in Spokane, Washington, in 1999. It featured a fully equipped darkroom where we learned to develop film and make silver gelatin prints.
I continued at Brooks Institute of Photography in Southern California, earning a Bachelor of Arts in Visual Journalism. I gravitated toward fine art printmaking, often spending extra time in the darkroom refining the craft. This was a transitional moment in photography, and I began blending analog with digital techniques.
After graduating, I worked for Jim Brandenburg as a Master Printmaker for his two galleries. Over the past two decades, my work has been shown at premier national art festivals, including Best in Show Photography at the Park City Kimball Arts Festival (2022) and Sun Valley Arts Festival (2023).
My photography is also featured at the Lodge at Blue Sky in Utah and has appeared in national publications.
I enrolled in the first photography class I could, an excellent course at Mead High School in Spokane, Washington, in 1999. It featured a fully equipped darkroom where we learned to develop film and make silver gelatin prints.
I continued at Brooks Institute of Photography in Southern California, earning a Bachelor of Arts in Visual Journalism. I gravitated toward fine art printmaking, often spending extra time in the darkroom refining the craft. This was a transitional moment in photography, and I began blending analog with digital techniques.
After graduating, I worked for Jim Brandenburg as a Master Printmaker for his two galleries. Over the past two decades, my work has been shown at premier national art festivals, including Best in Show Photography at the Park City Kimball Arts Festival (2022) and Sun Valley Arts Festival (2023).
My photography is also featured at the Lodge at Blue Sky in Utah and has appeared in national publications.
If my collectors aren’t happy, nothing works.
This isn’t just a business to me. It’s the work, the process, and the people who find inspiration in it.
If something isn’t right, I make it right.
If my collectors aren’t happy, nothing works.
This isn’t just a business to me. It’s the work, the process, and the people who find inspiration in it.
If something isn’t right, I make it right.
I’m drawn to images that feel simple and lasting.
My work moves between film and digital, but always returns to the same place of clarity, restraint, and connection.
I’m drawn to images that feel simple and lasting.
My work moves between film and digital, but always returns to the same place of clarity, restraint, and connection.
Giving back has been one of the most meaningful parts of my work.
If you or your organization would like to be considered for an artwork donation, reach out.
Giving back has been one of the most meaningful parts of my work.
If you or your organization would like to be considered for an artwork donation, reach out.
Reach out today, we are here.
